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This was originally posted at Street Carnage. Go read the rest there. Then come back here and hang out with me a little bit. I never see you guys anymore. How do I get the bold to turn off on this font? Shit. Oh, there it is.
For the past year Boston’s synth disco act Mystery Roar have been laying down the sexiest grooves and tastiest electro hooks in the city. I asked the band’s Nathanael Bluhm, who also DJs at a bunch of parties, to cook up the ideal mix for getting handsome to. Turns out he figured out the perfect BPMs for getting a blow job. Here’s the mix. You’re on your own with the mouth-fucking though.
WRITHE 115 MIX
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TRACKLIST
1. Curtis Mayfield “Love Me (Nathanael’s edit)”
2. Junior Boys “Under the Sun”
3. ESG “Moody”
4. Lisa Warrington “I Like the Way You Do It”
5. Walter Jones “Living Without Your Love”
6. David Joseph “You Can’t Hide Your Love”
7. Kathy Diamond “Another Life”
STREET CARNAGE: What’s the ideal setting for listening to this mix?
NATHANAEL BLUHM: This is an evening or night time mix. It could be for fucking to, or it could be after you get home and you are fucked up and you feel some yearning or want to zone out. Or maybe you brought someone home and you want to fuck. But I can’t really fuck to music because I am so easily distracted, especially by unexpected chord changes and tasty, infrequent flourishes and tasty licks, or really sonically pleasing synthesis.
How do you describe the stuff you chose here?
This stuff is all sexy and midtempo, so you can dance to it or zone out. It’s multipurpose, ideally you dance AND zone out. 115 is an ideal tempo. It’s less frantic than, say 130, so you can pace yourself better and dance for hours. It’s a good tempo for fucking. Slower tempos allow for more syncopation between the beats, so imagine head that is fast and furious, and then imagine head that is slow and wet and you can feel the way the tongue is moving. Some people love banging it out, but I prefer the latter.
The music in this mix represents 1975 to the present. The commonality is sexiness. There is post-punk ESG, current DFA stuff, rare retro stuff and big names like Curtis. The edit I made of the Curtis is straight verse groove. The Lisa Warrington track is a super rare disco cut ripped straight from vinyl by Joseph Colbourne, probably Boston’s most passionate disco DJ and historian. I included the track because it is insanely beautiful and needs to be heard.
What’s the key to making a good mix?
Good songs. If you play great songs, then you don’t have to disguise them with trickery, you just let them play. The freedom laptops afford is a reliable countdown so I can go dance until it’s time to switch to the next track. Sometimes I’ll do live tricks, but I’m more interested in zoning out and dancing myself. I feel like if I can’t do it, how is the audience supposed to? I like mixes that don’t really fuck with effects, and I largely like retro music. Though some newer (last decade) acts are representing; Fred Falke, Miami Horror, DFA.
What are your current DJ nights? What kind of stuff are you playing there?
Friday 11/19 I’m doing Club Oberon in Harvard Square. It’s done up to look like Studio 54. My Foxy Action Group is playing music from that era. Craig MacNeil from Videodrome Discotheque is doing visuals. There will be a dance performance and glitter. It’s going to be out of control.
My flagship residency is with Colbourne and Cerne at Zuzu the first Sunday of the month. It’s called Foxy. We play retro disco. Some familiar, but a lot of really deep cuts that you won’t hear anywhere else. Its imagery is oriented towards gay male singles and swinging couples, but we get all types in there. Straight people come and dance like crazy and love it. I do a tea dance for bears at Enormous Room called Group Hug the last Sunday of every month.
Mystery Roar is performing at The Boston Music Awards December 5th at the Liberty Hotel, and then we play The Pill Friday, December 10th.
1. Curtis Mayfield “Love Me (Nathanael’s edit)”
2. Junior Boys “Under the Sun”
3. ESG “Moody”
4. Lisa Warrington “I Like the Way You Do It”
5. Walter Jones “Living Without Your Love”
6. David Joseph “You Can’t Hide Your Love”
7. Kathy Diamond “Another Life”
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| Someone's about to get their ears fucked. photo via |
STREET CARNAGE: What’s the ideal setting for listening to this mix?
NATHANAEL BLUHM: This is an evening or night time mix. It could be for fucking to, or it could be after you get home and you are fucked up and you feel some yearning or want to zone out. Or maybe you brought someone home and you want to fuck. But I can’t really fuck to music because I am so easily distracted, especially by unexpected chord changes and tasty, infrequent flourishes and tasty licks, or really sonically pleasing synthesis.
How do you describe the stuff you chose here?
This stuff is all sexy and midtempo, so you can dance to it or zone out. It’s multipurpose, ideally you dance AND zone out. 115 is an ideal tempo. It’s less frantic than, say 130, so you can pace yourself better and dance for hours. It’s a good tempo for fucking. Slower tempos allow for more syncopation between the beats, so imagine head that is fast and furious, and then imagine head that is slow and wet and you can feel the way the tongue is moving. Some people love banging it out, but I prefer the latter.
The music in this mix represents 1975 to the present. The commonality is sexiness. There is post-punk ESG, current DFA stuff, rare retro stuff and big names like Curtis. The edit I made of the Curtis is straight verse groove. The Lisa Warrington track is a super rare disco cut ripped straight from vinyl by Joseph Colbourne, probably Boston’s most passionate disco DJ and historian. I included the track because it is insanely beautiful and needs to be heard.
What’s the key to making a good mix?
Good songs. If you play great songs, then you don’t have to disguise them with trickery, you just let them play. The freedom laptops afford is a reliable countdown so I can go dance until it’s time to switch to the next track. Sometimes I’ll do live tricks, but I’m more interested in zoning out and dancing myself. I feel like if I can’t do it, how is the audience supposed to? I like mixes that don’t really fuck with effects, and I largely like retro music. Though some newer (last decade) acts are representing; Fred Falke, Miami Horror, DFA.
What are your current DJ nights? What kind of stuff are you playing there?
Friday 11/19 I’m doing Club Oberon in Harvard Square. It’s done up to look like Studio 54. My Foxy Action Group is playing music from that era. Craig MacNeil from Videodrome Discotheque is doing visuals. There will be a dance performance and glitter. It’s going to be out of control.
My flagship residency is with Colbourne and Cerne at Zuzu the first Sunday of the month. It’s called Foxy. We play retro disco. Some familiar, but a lot of really deep cuts that you won’t hear anywhere else. Its imagery is oriented towards gay male singles and swinging couples, but we get all types in there. Straight people come and dance like crazy and love it. I do a tea dance for bears at Enormous Room called Group Hug the last Sunday of every month.
Mystery Roar is performing at The Boston Music Awards December 5th at the Liberty Hotel, and then we play The Pill Friday, December 10th.
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1 comment:
this is legit.
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